NPR, December 10, 2023

EXCERPT

Rachel Martin: Your book, The Creative Act, reads as sort of a spiritual text. Do you have a spiritual architecture to your own life?

Rick Rubin: I will say I’m a seeker. So I read across the board, different practices. I’m looking at a bunch of books in front of me now. If you could see the books, you’d really laugh.

Martin: Tell me what they are!

Rubin: OK, so there’s Wherever You Go, There You Are, which is a Jon Kabat-Zinn book on meditation. Below that is I Am That by Sri Nisargadatta Maharaj. Below that is Awakening the Third Eye. There’s a book called 101 Things I Learned in Architecture School. There’s a book called Entering the Tao.

Martin: Alright, you’ve made your point. [laughs] You’re a reader, and a seeker. Those are all of a piece, for sure. I mean, a seeker is a thing that’s sort of, not to push back on you, but it’s an easy answer. Lots of people are seekers. Do you believe in God?

Rubin: Yes.

Martin: You do?

Rick Rubin, 2006. Wiki Commons.

Rubin: Yes, yes, yes. Yes. I have a knowingness that there is a power greater than us that seems to animate everything. That’s how I would describe it. However this system works, this world that we’re in, this universe that we’re in, however it works, I don’t think it’s accidental.

I feel like there’s some creative energy behind it. We have help. When we’re making something beautiful, we have help. We’re not working alone.

Martin: I read that when you were producing Johnny Cash, near the end of his life, with his last albums, that you took communion with him. That was something that was important to him and you were enthusiastic about it.

Rubin: From the time he got sick, we did it every day. I said, “I’ve never done communion.” And he’s like, “Oh, it’s a beautiful practice. Let’s do it together.” And then we did it together in person the first time. And then I said, “Well, while you’re sick, should we just continue doing it every day?” And he’s like, “Great, let’s do it.” Continue reading →

MacGowan performing in 2010 at the Milk Club, Moscow. Creative Commons.

The funeral of Shane MacGowan, frontman of The Pogues, was held December 8 at the Saint Mary of the Rosary Church in the small town of Nenagh in County Tipperary – 100 miles west from Dublin. The beloved singer died on November 30, at age 65, from complications of pneumonia. His wife and sister were by his side. Prayers and the last rites were read during his passing.

The funeral procession began earlier on the day of the funeral with a two-mile trek through the center of Dublin.

His passing was sad, but not-surprising, news to fans around the globe. Spotlighted during this season of the year, listeners are able to hear his unlikely holiday hit played on the radio. “Fairytale of New York” opens with the unforgettable lines: “It was Christmas Eve babe/In the drunk tank/An old man said to me, won’t see another one.”

Like so many other American fans, I watched his funeral online.

The church in Nenagh was filled with luminaries including Irish President Michael D. Higgins, former Sinn Fein leader Gerry Adams, Game Of Thrones actor Aidan Gillen, and actor Johnny Depp (a pallbearer).

The music was spot-on. At various times in the service, Nick Cave performed “Rainy Night in Soho,” Imelda May sang “You’re the One” with Declan O’Rourke and Liam Ó Maonlaí, the Hothouse Flowers frontman. Cait O’Riordan, The Pogues bassist, and musician, John Francis Flynn delivered “I’m a Man You Don’t Meet Every Day,” recorded by the band in 1985.

An audiotape recording of Bono reading from 1 Corinthians 13:11-13 (The Message) for the occasion was played during the service. Verse 12: “We don’t yet see things clearly. We’re squinting in a fog, peering through a mist. But it won’t be long before the weather clears and the sun shines bright! We’ll see it all then, see it all as clearly as God sees us, knowing him directly just as he knows us!”

Waltzing in church. Only moments after celebrating communion, some mourners unconventionally jumped the front pew and joyfully waltzed in the church as Glen Hansard and Lisa O’Neill performed a rousing version of the 1987 hit “Fairytale of New York.” Continue reading →

Editorial use only Mandatory Credit: Photo by REX/Shutterstock (436743s) WILL FERRELL AND DIRECTOR JOHN FAVREAU ‘ELF’ FILM – 2003 REX/SHUTTERSTOCK

By Steve Beard

2003 National Review

One of this season’s most enjoyable films is the new Christmas comedy Elf starring Will Ferrell, Ed Asner, Bob Newhart, Mary Steenburgen, Zooey Deschanel, James Caan, and directed by the talented John Favreau.

In the spirit of Christmas classics such as Rudolph the Red Nosed Reindeer, Frosty the Snowman, and Scrooge, Favreau has developed the kind of uproarious holiday film that is, as he says, “irreverent and edgy without being offensive.” Elf portrays the power of love to overwhelm cynicism and apathy. It also touches upon themes of redemption, charity, and the importance of family. Continue reading →

Sinead O’Connor: A second listen

2007 —

[Editor’s note: This column was written more than 10 years before Sinead O’Connor converted to Islam in 2018.]

Some of my churchgoing friends were perplexed by my recent praise of Sinead O’Connor. They still have visceral memories of a brash young woman tearing up a picture of Pope John Paul II on national television fifteen years ago.

While their reaction is understandable, I have asked them to lend her an ear. Quite literally, I have encouraged them to listen to her new double album Theology — a stunning collection of songs taken from the Old Testament books of Psalms, the Song of Solomon, and Samuel. Also on the album are covers of “I Don’t Know How to Love Him” from Jesus Christ Superstar and Curtis Mayfield’s “We the People Who Are Darker Than Blue.” Continue reading →

Sister Rosetta Tharpe (public domain).

Keith Richards and Eric Clapton worshipped her solos, and Elvis idolized her sound. Denny Ilett profiles the great Sister Rosette Tharpe for Guitarist.

Excerpt: Tharpe joined Lucky Millinder’s orchestra for her first recordings at the end of October 1938 waxing four sides for Decca. That’s All and My Man And I feature just Tharpe’s voice and Delta-infused National guitar. Sounding for all the world like a female Robert Johnson, Rosetta’s sparkling voice soared over her accompaniment, demonstrating her mastery of the country blues style perfectly.

The Lonesome Road – an evergreen jazz standard with a gospel-leaning lyric later recorded by the likes of Frank Sinatra and Nat King Cole – sees Rosetta performing solely as vocalist, her church-influenced yet blues-drenched voice perfect for this material.

It’s with Rock Me, however, that we hear Tharpe’s electric guitar for the first time and, significantly, this is the very record that had such a profound influence on future rock ’n’ rollers such as Elvis, Little Richard and Jerry Lee Lewis.

The entire Guitarist article can be read HERE.

The Alarm Facebook page.

Thanks to Paste Magazine for its interview with Mike Peters of The Alarm. Heartbreaking to read about his bout with CLL (chronic lymphocytic leukemia). You can read the entire interview HERE .

* “I was in hospital, and my glands were so swollen, it was like I had tennis balls in my neck. It was so bad, I didn’t want to look in the mirror because I couldn’t even recognize myself. It was scary, and I thought, ‘The only way I can get through this is, I’ve got to respect what I’m up against and allow it to be – I can’t pretend it’s not happening and wish it away. I have to embrace, so I’m gonna let this come to me, and I’m gonna take it on, and I’m gonna relish the game, I’m gonna relish the battle. I’m gonna try and be the winner here, and the only way to do that is by respecting the opponent.’ Which were the drugs, because they come into you and they are killing part of you that you’ve created within yourself, in the biology of your humanity. You’ve created these things that are trying to kill you this time, so my way to combat them was to recognize them, give some respect, and say, ‘But you’re not gonna get the best of me – I’m gonna fight back with all I’ve got.’ And that’s been my mindset all along, ever since I first heard the word ‘cancer’ applied to my life back in 1995.” Continue reading →

(Nick Fancher / For The Times)

In an interview with Mikael Wood of the Los Angeles Times, Flea of Red Hot Chili Peppers fame asks for a moment before the two sat down to talk. “I’m gonna do my little ritual,” he says. Then he bows his head in silence for about 20 seconds. What follows is a small excerpt of the interview.

Is that a daily thing for you?

Yeah, I’m a praying guy. I pray in the morning when I get up, when I go to bed, when I eat. And when I do an interview, I’ll just stop for a second — like, let me get out of the way and let go of everything.

To whom are you praying?

To God. I’m not religious in any way, but I kind of believe in God. And I try to live a life that honors my idea of what God is — like a divine energy.

You talk about this with Patti Smith on your podcast — the idea of finding God in music.

For me, music is the voice of God. I grew up virulently anti-religious, and there came a time in the early ’90s, right around when I turned 30, I got really sick with chronic fatigue. I’d been a drug-taking madman — party all night, play basketball all day. I just thought I was Superman. And all of a sudden it was like all the energy got sucked out of my body. I was like, I can’t go on tour, I feel too s—. And I was cut off from my friends because I wasn’t partying. Continue reading →

Brené Brown, center, with Willie Nelson and Lukas Nelson.
Courtesy of Brené Brown.

Texas Monthly excerpt. Click HERE for original article.

Brené Brown: I was losing my mind a little bit. So I had to make the decision about this conference. And I grabbed my iPod and my headphones, and I went to my playlist, my iGod playlist, and Willie’s “Amazing Grace” came on. Well, up until that moment, I thought the lyric was, “Twas grace that taught my heart to feel.”

But when Willie sang it—and remember I had 20 versions of this already that I’d been listening to for a year—he’s saying, “Twas grace that taught my heart to fear,” not “feel,” “And grace, my fears relieved.” I’m walking through my neighborhood, and I just stop. And I’m like, “What the hell?” And I played it back. And again, “Grace that taught my heart to fear . . . Grace that taught my heart to fear . . . Grace that taught my heart to fear.”

And I couldn’t believe it. I was really shocked that it wasn’t “feel.” And then all of a sudden it dawned on me that I didn’t know how to be afraid. I don’t know how to be afraid. And that’s the grace part. And then it was so weird because I went back immediately and listened to all the other versions, and I’m like, “Of course they’re saying ‘fear.’ Grace taught my heart how to fear—and fears, it released.” Continue reading →

USGS Volcanoes

USGS Hawaiian Volcano Observatory scientists were on the ground Wednesday morning to capture photographs of the current eruption of Kilauea on the Big Island of Hawaii.  The volcano is confined to the summit caldera within Hawai’i Volcanoes National Park.