Social Distortion’s Mike Ness: 10 Best Country-Punk Covers

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“Around the house, my father liked country and my mother was more rock & roll,” Mike Ness tells Rolling Stone Country. “I remember a lot of Johnny Cash, the Dillards and Buck Owens. Country music was just always in the background and I absorbed all of it. Also, this was in the period of the folk revival, so we had that big Smithsonian box set [The Anthology of American Folk Music] where I distinctly remember hearing the Carter Family for the first time. Their tones and that style of music really resonated with me as a kid. Early on, I wanted Social D to be the Carter Family with electric guitars.”

Inspired by the Sex Pistols and punk’s no-rules approach, Ness channeled that unruly inclusivity to mix punk with the roots music he had grown up loving, seeing a distinct connection between the styles. “To me, the main shared characteristic between the two of them is that they’re both working-class genres that deal with working-class issues in an honest way,” says Ness, who recently produced the traditionally styled country singer Jade Jackson’s debut Gilded. “Whether it’s Billie Holiday or Howlin’ Wolf or Johnny Cash, they’re singing about real-life things and that’s what punk is – a dissatisfaction with the status quo and wanting to honestly sing about it.”

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