By Leo Partible
Stan Lee is a rock star. He is the Elvis of comic books. He didn’t create the medium, nor did he invent the superhero, but he was responsible for popularizing both for the masses. Like Elvis, he understood the possibilities, molding and reinventing the story and structure of the comic book, as well as deconstructing and reconstructing the mythology and the archetypes of the superhero story. Blessed with both a literary sophistication and the soul of a childlike dreamer, the witty and gregarious Stan Lee was the first comic creator to have a personal connection with his audience. And in doing so, he became the name and the face synonymous with the art form.
Elvis was the King of Rock ‘n’ Roll and today, still in the prime of his life and still creating new concepts, Stan Lee is the King of Comic Books. But even more, because of the phenomenal success of the films based on his Marvel Comics characters, Stan Lee is a brand name. He is Walt Disney.
As we sat down in his Beverly Hills office, Stan Lee settled into his chair. For a moment, his eyes focused on the familiar symbol hanging from the chain around my neck. He asked with a tinge of concern, “Is there a reason you have Superman symbol on your chain?” I understood the implication, wearing merchandise associated with Stan’s competition. I answered with a slight crack in my voice, “Is that heresy?” He broke out in a warm and reassuring smile and pointed to a picture on his bookshelf. There was Stan in an iconic pose, ripping open his shirt to reveal the famous Superman logo. I laughed and added, “I also noticed you have a big picture of you in your lobby outside – the one where you’re sitting next to a life-size statue of Clark Kent. That was taken inside the DC offices, wasn’t it?” Stan snickered like a kid caught in the act, brushing off the obvious irony. “You realize you probably saved the character as well as the rest of DC Comics,” I said with great affection. He beamed. “I suppose I did.” Continue reading