The way of faith for Alice Cooper

By Steve Beard

2002

It was recently announced that the biggest hit in the 24-year history of MTV is a program called “The Osbournes.” The half-hour show – complete with constant bleeping from excessive foul language – is a curiously fascinating docu-comedy starring the members of Ozzy Osbourne’s family – wife and two teenage siblings (the eldest child bowed out of the show). Ozzy, of course, is the 53-year-old British rock singer acclaimed for his ghoulish heavy metal performances.

MTV filmed for four months as the Osbournes moved into a new Beverly Hills mansion where they promptly bemoan the loss of their former neighbor, Pat Boone. Ozzy dotters and mumbles around the house trying to figure out the TV remote control, his wife hires a pet therapist to get the dogs to stop pottying in the living room, and the kids scream and chase one another around the Osbourne compound.

Truth be told, I find the show captivating in a strange way. Others hate it. But the television networks are on my side. They are scrambling to tap into this quirky genre of “reality” television. Well, for what it’s worth, here is my recommendation for the next show: Alice Cooper’s family. That’s right, the spooky granddaddy of shock rock who festooned his stage with guillotines, electric chairs, and boa constrictors. Yikes, is right; but it would make a great show.

Imagine watching the reactions of parents as they take their sons to their very first Little League baseball practice only to discover that Alice Cooper is going to be the coach. Or where he tries to organize a carpool to his daughter’s ballet lessons (he has three kids ranging from 10 years old to 20). Or what about when he gets thrown into an unsuspecting golf foursome at the country club. It would be a hoot.

Alice Cooper (born Vincent Furnier) still tours around the world doing his theatrical rock and roll show about three or four months out of the year. He still watches kung-fu movies before his performances and downs Quarter Pounders with cheese afterward. This zany character even shows up regularly at Alice Cooper’stown, his sports-n-rock themed restaurant in Phoenix, Arizona, where he serves Mom’s Tuna Casserole and Megadeth Meatloaf.

At the height of his worldwide fame, Cooper drank a bottle of whiskey a day. But the bottle almost destroyed his marriage to Sheryl, his wife of 25 years. He started heading off to church with her and felt as if God was speaking to him every Sunday. Even at the pinnacle of his ghoulish career (which he believed was no more provocative than a horror movie musical) he still believed in God. The son and grandson of preachers, Cooper’s faith was crippled by the weight of fame and the toxicity of alcoholism.

He experienced every pleasure that money could buy but found no satisfaction. “I was the prodigal son. I left the house, achieved fame and fortune, and found out that that was not what I wanted,” he told HM magazine. “Now I read the Bible every day, I pray every day. That’s really what I’m about.” He continues: “I was one thing at one time, and I’m something new. I’m a new creature now. Don’t judge Alice by what he used to be. Praise God for what I am now.”

Cooper has taken the opportunity to speak to curious fellow musicians about the reality of the devil and the change in his life. “I have talked to some big stars about this, some really horrific characters … and you’d be surprised,” he says. “The ones that you would think are the farthest gone, are the ones that are the most apt to listen.”

Although Cooper’s shows still explore the haunting and ghastly aspects of human nature, its message carries a different twist. “It might sound absolutely insane coming from me, but what the world needs is a good shot of morality,” he said. His last several albums have been dramatic interpretations of what the world would be like without the grace of God. The horror is there, but the message is profoundly different – redeemed. His alter ego is a theatrical prophet of doom, or a rock and roll version of a character pulled from C.S. Lewis’ Screwtape Letters.

As for the devil-may-care lifestyle found in some quarters of the rock world, Cooper says, “Drinking beer is easy. Trashing your hotel room is easy. But being a Christian, that’s a tough call. That’s real rebellion,” he told the London Sunday Times Magazine.

In describing the importance of his Christian faith, he says, “It’s everything. It’s what I live for. If you gave me a choice between rock and roll and my faith, I’d take my faith,” Cooper told The Observer in Australia. “Rock and roll is fun – it’s what I do for a living. But it’s not what I live on. I believe in classic Christianity. I’ve given my whole life to the Lord. But I don’t think that means you can’t be a rock and roller.” After all, as Cooper has said, “I must be the only father that bangs on the bedroom door and says, ‘Turn that music up!’”

Now, that would be a fun show to watch.

 

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Pretty in Punk: Halo Friendlies dish it out

By Steve Beard

Archives: 2002, The Warped Tour

For the last several years, the Halo Friendlies have been pumping out hard-driving and melodic pop-punk ballads all over southern California venues in an attempt to have fun and break the stereotype of merely being an alluring all-girl novelty act.

A few possible misperceptions should be cleared up from the beginning. Yes, they write their own songs and play their own instruments. Yes, they are gorgeous. And no, there isn’t a Svengali pulling the strings.

Having just returned from playing at American military installations throughout Bosnia, Kosovo, and Macedonia, they are currently travelling around the nation on their second Van’s Warped Tour for the skateboard and BMX punk crowd. The Halos are also promoting their new album, “Get Real” (Tooth and Nail), produced by Kim Shattuck of The Muffs.

The Halo Friendlies, whose name was suggested by songwriter Damion Jurado, have produced an album loaded with catchy hooks and upbeat guitar riffs in the femrocker tradition of the Go-Go’s and Bangles. The songs focus on relationships without the feminist angst of Sleater-Kinney, the adolescent hedonism of The Donnas, or the indecipherable screams of Kittie.

Natalia Bolanos, Steve Beard, Judith Wignall, and Christina Hock

Singer Judita Wignall and bassist Ginger Reyes agreed to sit down for an interview while guitarist Natalie Bolanos and drummer Christina Theobald talked with fans at the Halo Friendlies booth at the Warped Tour in Cincinnati.

What is it like to travel around all summer and play everyday in a different city?

Judita: It is like travelling with a circus but it is fun and an adventure, every day is different and the crowds vary from state to state. We really enjoy it. We did it three weeks last year and this summer we are doing five.

Ginger: It is like a circus. You wake up every morning and everyone is unpacking their stuff and setting up while the vendors are getting ready. What makes every day really different are the people, the kids. You can really tell if it is going to be a good day by the reactions of the people you meet in the morning.

What has been the best city on the tour thus far?

Ginger: Chicago. They are really receptive to music, really open-minded to all different kinds of music. That was really cool.

It seems as if all of the bands on the tour get along really well. Is that true?

Ginger: You get to know them by being on the busses with certain bands and seeing them everyday. There is a lot of camaraderie here. Everybody is friends on this tour because we are all in this together. All the bands go to see each other. It is kind of like etiquette – Warped Tour etiquette. You get to know everybody that way.

Are there some big egos to deal with on the tour?

Judita: I think there are very, very few egos. In our experience on this tour there are a couple of rock stars in the bigger bands but that is about it. Usually everyone is pretty cool. Everyone understands that everyone else is just human.

How did your new record deal come about?

Judita: Tooth and Nail wanted to work with us for years and they were great about getting us a record out in time for us to do this tour. They were the best label to get us what we wanted.

Did the Halo Friendlies have two or three previous releases?

Judita: We had one full-length on Jackson Rubio, an EP, and then two demos on our own. We were just waiting for the right label to go to and for us to develop and get better songs.

Who are your role models—musical or otherwise?

Judita: My mom is my biggest inspiration. We emigrated from another country [Lithuania] and she worked really hard when she got to America. I get my work ethic from her – just working hard and going the extra mile.

Ginger: As far as music goes, it would be the Beatles because of the amazing work that they did and all that they had established in less than ten years with their songwriting and music. It just shows that you can do so much.

Your band name and your label would tend to alert people that you are Christians. Has that been a problem on the Warped Tour?

Judita: Everyone has been really cool. They all say, ‘Oh you are out on Tooth and Nail and are Christian.’ And we say, ‘Yeah,’ and then go on with life. Sometimes we get teased, but not really in a mean way. They kind of poke fun, asking us where our Bibles are. Most people are pretty respectful though.

Ginger: It is really funny because a lot of the bands – a lot of people – grew up in church. A lot people who are in music are there because they played in a church. So a lot of people on this tour have church backgrounds, which is really interesting.

There seems to be so many bands such as P.O.D., MxPx, U2, and Lifehouse who are not hamstrung by the sacred vs. secular music debate. Has their influence made a difference?

Judita: As Christians we are supposed to go into the world. We are not supposed to create our own little world and be separate from everybody else. I think that it is great that P.O.D. and MxPx are out there. I think that is awesome. That is where we are supposed to be – in the world – serving other people and being friends with everybody, not just other Christians.

Steve Beard is the creator of thunderstruck.org.

 

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God bless Johnny Cash

By Steve Beard

January/February 2002, Good News

Popular music is usually a huge wedge driven between parents and their kids. It has always been that way and it will probably remain so. Even as progressive as I like to think of myself, I imagine that my 5-year-old son, John Paul, is going to come home in a few years listening to something that will make me reach for the sledgehammer. Enmity between the music of one generation and that of the next seems to be a fact of life. Perhaps that is one of the reasons God created Johnny Cash.

I realized this as our family made the two-day drive to Florida for Thanksgiving. While we had an eclectic variety of music, we discovered that our favorite album was Johnny Cash at San Quentin — a raucous live recording in the notorious San Quentin Prison. The prisoners were eating it up, and so were we. One minute we are chuckling to “A Boy Named Sue” and the next we were crooning along to “He Turned the Water into Wine.” Continue reading

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Review: Give War a Chance

Give War a Chance: Eyewitness Accounts of Mankind’s Struggle against Tyranny, Injustice, and Alcohol-Free Beer, P.J. O’Rourke. Atlantic Monthly Press, 223 pages, $20.95.

1992, World

P.J. O’Rourke is a missionary of sorts. No, he does not translate Scripture passages for native tribes that pierced their noses long before it became the trend in New York City. Instead, he is a conservative political humorist who writes for a magazine that proudly endorsed Jerry Brown for president. How’s that for a mission field?

O’Rourke’s message is common-sense and hilarious conservatism. His goal is to save as many people from the evil and nutty clutches of liberalism before they are able to slap “Visualize World Peace” bumperstickers on to their Volvos. His parish is the very liberal Rolling Stone magazine where he is the “Foreign Affairs Desk Chief,” which is as hard to imagine as Gloria Steinem playing with Barbie dolls.

O’Rourke is a former leftist who not only saw the political light, he scorched his eyebrows. As such, he lampoons and ridicules liberalism with the same tenacity that a former drunk would denounce alcohol. O’Rourke, however, is much funnier than any reformed whiskey swigger:

“Now, liberals are people I had been accustomed to thinking of as daffy, not villainous. Getting their toes caught in their sandal straps, bumping their heads on wind chimes – how much trouble could they cause, even in a full-blown cultural-diversity frenzy? … But every iniquity in this book is traceable to bad thinking or bad government. And liberals have been vigorous cheerleaders for both.”

As is his forte, O’Rourke is a first-class world traveler with a radar for trouble, bedlam, and panic. While Swiss tourists are crowding the beaches along the Adriatic Sea, he is packing his bags for Moscow, Managua, and other dens of dysfunctional communism.

He also delivers the most uproarious play-by-play of the world’s war with Saddam Hussein. O’Rourke worked with ABC Radio and almost blew himself to smithereens by investigating a booby-trapped box in Kuwait City.

In another chapter he explains his conversion from 1960s Maoist to modern-day gonzo-Republican: “I like to think of my behavior in the sixties as a `learning experience.’  Then again, I like to think of anything stupid I’ve done as a `learning experience.’”

Of course, it would not be an O’Rourke literary treat if we did not have some good old noogies delivered to some of our very own loathsome and pesky liberals: Dr. Ruth, the “We Are the World” gang and, of course, the entire Kennedy clan.

Unlike some conservatives who simply bellyache about the Dan Rathers in our midst, O’Rourke has proposed that we institute a new McCarthyism for liberals, complete with Vice President Dan Quayle as our tailgunner. This time, he suggests, we should hang on their every liberal word, lavishing them with unearned attention all the while “writing articles about their wonderful swellness.” Thereby we would subject them to that odious punishment of Media Overexposure, granting them the moral legitimacy of, say, the New Kids on the Block.

Give War A Chance offers good news and bad news. The bad news is that most of the hilarious chapters have appeared in various magazines prior to the book’s publication. The good news is that it is all worth reading a second time.

Steve Beard is the curator of Thunderstruck Media.

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