The first of several pivotal scenes in the film Selma occurs when the Rev. Dr. Martin Luther King Jr. makes a late night phone call to gospel singer Mahalia Jackson. The undeniable weight of what lay ahead for King and the civil rights movement was heavy on his soul. In quiet desperation, King (played masterfully by David Oyelowo) awakens the gospel music legend with the phone call and simply says, “I need to hear the Lord’s voice.”
Mahalia Jackson (played by Ledisi Young) breaks the stillness of the night with an impromptu and stemwinding plea in her housecoat and slippers:
“Precious Lord, take my hand / Lead me on, let me stand / I am tired, I am weak, I am worn / Through the storm, through the night / Lead me on to the light / Take my hand precious Lord, lead me home.”
This iconic scene in the film was indicative of King’s dependence upon spiritual strength, Jackson’s healing voice, and the Savior’s nail-scared hands. “Precious Lord” was King’s supplication, his way of reaching out for the hem of the garment. It was his last request only moments before his voice of eloquence was forever silenced on April 4, 1968, with a .30-06 bullet. King had just asked Chicago saxophonist Ben Branch to play the song at the rally later that night in Memphis.